Throughout my life I have seen, without one exception, narrow-shouldered men performing innumerable idiotic acts, brutalising their fellows, and corrupting souls by every means. They call the motive for their actions: fame. Seeing these exhibitions I've longed to laugh, with the rest, but that strange imitation was impossible. Taking a penknife with a sharp-edged blade, I slit the flesh at the points joining the lips. For an instant I believed my aim was achieved. I saw in a mirror the mouth ruined at my own will! An error! Besides, the blood gushing freely from the two wounds prevented my distinguishing whether this really was the grin of others. But after some moments of comparison I saw quite clearly that my smile did not resemble that of humans: the fact is, I was not laughing. I have seen men, hideous men with terrible eyes sunk deep in their sockets, outmatch the hardness of rock, the rigidity of cast steel, the shark's cruelty, the insolence of youth, the insane fury of criminals, the hypocrite's treachery, the most extraordinary play-actors, priests' strength of character, and the most secretive, coldest creatures of heave and earth. I have seen moralists weary of laying bare their hearts and bringing down on them selves the implacable wrath from on high. I have seen them all together—the most powerful fist levelled at heaven like that of a child already wilful toward its mother—probably stimulated by some denizon of hell, their eyes brimful of remorse and yet smarting with hatred, in glacial silence, not daring to spill out the unfruitful and mighty meditations harboured in their hearts, meditations so crammed with injustice and horror, enough to sadden the God of mercy with compassion. Or I've seen them at every moment of the day from the start of infancy to the end of dotage, while disgorging incredible curses, insensate curses against all that breathes, against themselves and Providence, prostitute women and children and thus dishonour those parts of the body consecrated to modesty. Then the seas swell their waters, swallow ships in their abysses; earth tremors and hurricanes topple houses; plagues and divers epidemics decimate praying families. Yet men are unaware of all this. I have seen them also blushing and blenching with shame at their behaviour on earth—but rarely. Tempests, sisters of cyclones; bluish firmament whose beauty I do not admit; hypocrite sea, image of my heart; earth with mysterious womb; inhabitants of the spheres; the whole universe; God who grandly created it, you I invoke: Show me one honest man! . . . May your grace multiply my natural strength tenfold, for at the sight of such a monster I might die of astonishment. One dies at less.From the first canto of Les Chants de Maldoror, by Le Comte de Lautréamont, 1868–69. This segment reads like the prayer of The Joker. The first canto, which I've only just finished, ends with the author speaking directly to the reader: "Greybeard, farewell, and if you have read this, think of me. You, young man, do not despair, for despite your opinion to the contrary, you have a friend in the vampire. Counting the acarus sarcoptes that causes crabs, you have two!"
i once had a class on avant garde at UT, and had to do a presentation on lautreamont, and at the last second not knowing what to say about it grabbed a videotape of the G.G. Allin documentary Hated. I felt like a genius.
Posted by: ed at May 1, 2008 6:04 PMSee, this is why I love the Internets. I can put up a post that's basically, Look at this weird book I'm reading. Definitely all I expect in return is that big fat zero comments (see below/throughout). But lo, (in this case) [my weird friend Ed] comes back with Oh totally.
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