February 29, 2008

Upcoming

  • A feature in the April issue of The American Prospect on oil drilling near Robert Smithson's Spiral Jetty, the most expansive article on the topic to date.
  • A survey of galleries from the Metro area for the April issue of The Washingtonian.
  • A feature review of "Collects Select" and "The Phillips Collects" for the Washington City Paper, probably week after next.
  • Vlogging with the DCeiver.
  • !
And more.

I'm wondering today: How are soundtracks written? Doesn't the movie need to be shot and edited in its entirety before a composer can know what moods to match and for how long within a given scene?

Posted by Kriston at February 29, 2008 3:20 PM
Comments

I don't know how that exclamation mark got there. But I'm leaving it.

Posted by: Kriston at February 29, 2008 3:30 PM

the most expansive article on the topic to date

I misread that as "expensive," which would've required another kind of congratulations entirely.

How are soundtracks written?

There's a great featurette on the Dead Man DVD about Neil Young's composition of the soundtrack, which seemed oddly like the way they used to do MST3K: he watched and played along to the film a couple thousand times, then picked the best bits from various takes.

I read an interview with Johnny Greenwood that he did a similar thing with There Will Be Blood, only it was a matter of improvising along to the film on electric guitar, then turning it into a full-fledged composition. Granted, neither of these is probably typical of the John Williams mode.

Posted by: SEK at February 29, 2008 4:40 PM

Sometimes the cues are written before the movie's shot.

Posted by: ben wolfson at March 1, 2008 1:19 AM
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